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Colour and mosaics

     
image: Buenos Aires subway
   
In Roman Britain fragments of imported red glaze pottery (Samian ware) were only rarely used and glass tesserae (smalti) were almost unknown. On mosaic depicting four seasons excavated at Dyer St in Cirencester in 1849, red glass tesserae were used in the head dress of spring, and 8 rare, gilt glass tesserae were found loose on the site of the Roman villa at Southwark in Sussex - probably imported from continental workshops.
 
image:  Orfeu catalan barcelona
         
       
Desiqn and Construction

Large slabs of stone were cut up in the workshop by saws with smooth iron blades, using sand and water. Sheets of stone were then taken to the site where the mosaic was to be made and they were then broken up into smaller pieces or tesserae. These were then laid according to the required pattern. The mosaic would take months of preparation in the workshop and weeks to produce on site. There were various methods used (see next page).
   
   

Also See:

Romans and colour
William Morris
Colour and the motor car